Starlight Excerpted from 'Siku Quanshu Sequel'<\/p>\n
Note: This Fu text is not included in the 'Complete Book of Great Liuren' and the 'Complete Collection of Illustrations and Writings', so it should be treasured.<\/p>\n
Before the primal energy was divided, who knew purity from turbidity? Once the two forms were established, heaven and earth took shape.
With rising and falling, Yin and Yang were distinguished; based on the sun and moon, the five elements were divided.
The four seasons show the order of cold and heat; the six energies cycle, representing the differences in pure and turbid governance.
The three powers overcome customs, and all phenomena arrive; heaven and earth are positioned within the nine regions.
Words and acres divide above and below; Fuxi drew the eight trigrams, extracting the six lines from the source of the four\u8c61.
The Yellow Emperor received the divine talisman, creating Liuren as one of the three styles.
The sun is taken as the general, adding the hour first; Yin and Yang are used to establish the four classes.
The five elements' overcoming and harming are seen in the three transmissions; if all overcome, take the comparable and harmonious as the beginning.
Virtue has two comparisons; use the shallow involvement of harm as the front; if all restrain, remote overcoming of the day and hour is the beginning. If restraint and harm are equal, first take the comparable and harmonious for use.
For Reversal, examine its opposition and break; for Covert, value its punishment and clash.
Pleiades specifically look at Cong Kui, observing up and down for Overturning.
Eight Specials require counting Yin and Yang, dividing before and after by the day and hour.
Heavenly Noble must value\u9806 and\u9006, taking the star's appearance at dawn and dusk as the period, sometimes hiding or determining by dimness.
The Heavenly Rate and Heavenly Prison, the Noble does not govern Kui; the sun, moon, Yin, Yang, and ten stems do not reside in the four cardinal directions.
\u536f and \u9149 are the gates of the sun and moon; \u5b50 and \u5348 are the meeting of Yin and Yang.
The monthly construction is the same as the chief official; the year star is compared to the ruler.
The day and hour have differences between self and other; the gods and generals have differences in rank.
When the auspicious deity follows the cycle, it mitigates disasters caused by the inauspicious deity; when the noble deity goes against the cycle, the auspicious deity generously bestows blessings.
Without reversal, how can one know distance? Without seeking harmony, how can one discern kinship?
Involved in adversity, one experiences prolonged hardship; under the Pleiades star, one constantly harbors fear.
Casting a seal and receiving office indicates a certain promotion in rank and salary. Riding in a high carriage, a successful candidate need not worry about failing to achieve their aspirations.
A thousand calamities befall the Nine Unlucky Days, while a hundred blessings gather on the Three Lights.
Pregnancy is announced under the Mysterious Womb, and a humble woman must be seen under the Washing Maiden.
Running around outside, breaking through barriers is not conducive to settling down. Toiling in a foreign land, a traveler is directly ordered to depart far away.
In the Heavenly Prison and Heavenly Jail, prisoners encounter transgressions; when the soul dissipates and loses its spirit, the sick are bound to die.
To capture adulterers and thieves, examine the closed mouth to gain knowledge. To find the lost, whether virtuous or foolish, look to Virtue and Punishment to see.
Self-reliant and self-confident, the arrival of travelers is ominous, and theft is not far off. When Heaven is vexed and Earth is vexed, the movement of ghosts and thieves means disaster is not far away.
Nine Unlucky Days indicate family guarding against illness and death; Three Crossings indicate prisoners hidden in the room; Eight Solitary Days all indicate disasters; Five Blessings together bring auspicious celebrations.<\/p>\n
Data Screenshot<\/h2>\n
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<\/p>\n
Data Directory<\/h2>\n
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